Give tangible physical existence to your photographs and create the only lasting form of your work, fine-art prints, as beautiful hand-made renderings. During four days of lectures, printing, and feedback, this class focuses on improving your fine-art digital printing in my studio. Concentration will be on inkjet printing with color pigments and black/gray ink combinations on coated and fine art cotton papers.

Give tangible physical existence to your photographs and create the only lasting form of your work, fine-art prints, as beautiful hand-made renderings. During four days of lectures, printing, and feedback, this class focuses on improving your fine-art digital printing in his studio. Concentration will be on inkjet printing with color pigments and black/gray ink combinations on coated and fine art cotton papers.

Since 1979 I have led winter photography workshops to Death Valley. I keep returning to this desert because there is a magic here, a quiet and vast expanse of sensual and strange earthworks, remarkable in color, resting under the soft winter light of January.

We will spend our first half day preparing for our outings. Topics covered will be optimal digital camera use in a variety of formats, file size and printing considerations. We will open files, review success, returning to the field to put into practice lessons learned.

Winter in Yosemite Valley is a transformed world. Trees are wet and dark, the oaks are bare. The cliffs are blanketed with snow. Weather moves through in waves of clouds and mist. Ponds and river edges are frozen. There is usually snow on the valley floor. Visitors are dramatically fewer in number. Our three days together will likely be cold, but we will no doubt be warmed by the special beauty that winter brings to this grand valley. Although we will carpool to various locations, I hope our basic mode of transportation through the valley will be our feet. There is really no other way to come to know a place. 

Join us for four days exploring photography in the stark and beautiful scenery of this legendary lake, unlike any other landscape in the world. Its alkaline water, desert vistas, volcanoes and unusual tufa towers make it a remarkable place. The workshop will be taught by the pioneer in digital landscape photography, Stephen Johnson. Also the organizer of the "At Mono Lake" exhibition from which selections are currently on display at the National Forest Visitor's Center. Steve has been teaching at Mono Lake for more than 40 years.